— Mystery & Crime —

Mystic River
Dennis Lehane
— 2001 —
“
Three childhood friends from a Boston working-class neighborhood reunited when one's daughter is murdered.
Decide its fate
⚖The case for it
Sure, the plot leans on a stroke of fortune too neat to hold up, and it telegraphs its destination early. Skip past that. A Boston block raised three boys, saw one of them coax into a stranger's car one afternoon, and spent the next twenty-five years agreeing never to name it. Lehane traces that swallowed sorrow, and the loyalty curdling around it, with a patience few crime writers bother with. The dread lodges under your ribs and stays put when you expect it gone.
— the honest librarian
✕The case against
Lehane's plot needs one whopping coincidence, the sort that dissolves the moment you poke it, and a lot of operatic foreshadowing to reach its tragedy. Sean's subplot, an estranged wife who phones and says nothing, is dead weight from a different, worse novel. The ending's pivot toward Greek-tragedy fatalism gets announced so often you can set your watch by it.
— the honest librarian
beyond the verdict
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