— Mystery & Crime —

No Country for Old Men
Cormac McCarthy
— 2005 —
“
A bag of drug money, an implacable killer (Anton Chigurh, whose coin-flip nihilism is among literature's great villains), and a sheriff too old for the new violence.
Decide its fate
⚖The case for it
Readers who want a novel to add up will feel cheated here, and McCarthy means for them to. A welder finds two million dollars near a corpse in the west Texas brush, takes the cash, and the killing that follows never resolves into a lesson. The flat, clipped lines can seem starved of everything but motion, true, yet that bareness lets fear land as ordinary fact. His hard, biblical cadence makes the danger impossible to reason with. Set it down and the cold stays where you were sitting.
— the honest librarian
✕The case against
McCarthy drafted this as a screenplay and never fully un-wrote it: the prose strips down to stage directions, and the biggest moments arrive secondhand, glimpsed between sections rather than staged. Bell's italicized monologues, an old man certain the country has gone to hell, slide toward the reactionary porch-talk McCarthy elsewhere complicates. Chigurh carries the book; the philosophy leans on him hard.
— the honest librarian
beyond the verdict
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