
Devil in Winter
The "reluctant hero" romance distilled to its essence. Sebastian St. Vincent, villain of the previous book, marries Evie Jenner in a marriage of convenience and is humanized by having to actually love someone. Kleypas writes his gradual transformation with real psychological intelligence; by the end, readers who despised him are weeping for him.
Not everyone buys the redemption. A vocal contingent argues Sebastian's turn into a doting husband glosses over how he treated Evie in the previous book, and one reviewer doesn't mince it: “You should not be writing books that argue rapists are redeemable.” Others say the reformed version is simply duller, describing him as having “felt like a wet noodle” next to the sharper-edged villain he used to be, and flagging an early scene in the marriage, where he initiates sex while Evie is still half asleep, as tender on the page but troubling in practice. Evie herself reads thin to some, and the subplot with her scheming relatives never builds real suspense. One reader, primed by the book's reputation, asks, “Colour me baffled. Why does everyone love this book?” and another says it simply “left a really bad taste in my mouth.”
The case for it and the rest of the canon open with Pro.





