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Cover of Berlin Alexanderplatz by Alfred Döblin

Berlin Alexanderplatz

Alfred Döblin · 1929

The German Ulysses. Doblin tells the story of a Weimar-era ex-convict's life in the Berlin underworld using montage techniques borrowed from cinema and radio: streams of consciousness, newspaper headlines, biblical allusions. Joyce praised it. Published in 1929, it captured Berlin's chaos in a form that matched it.

The case against

  • on the pace

    “It is slow, disjointed, and frequently aimless”

    a book blog
  • on the cockney translation

    “he denatures the novel completely”

    Mitchell Abidor · Jewish Currents, 2018
  • on Franz Biberkopf

    “Biberkopf has few original thoughts, spends much of his time drinking and bellowing in bars”

    a Substack review
  • on the opening

    “an otherwise opaquely slow opening, Biberkopf meets two kindly Jewish men in the Scheunenviertel neighborhood”

    Adam Thirlwell · The New York Review of Books, 2018
Literary Fiction · the Pro canon

The case for it and the rest of the canon open with Pro.

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