
Confessions of an English Opium-Eater
The first great addiction narrative in English, and a formal experiment: gothic, dream-saturated, willing to go to the darkest places. Influenced Poe, Baudelaire, and the entire confessional essay tradition.
The title promises confession, and the narrator keeps circling it instead, apologizing for whatever he declines to share; one reader calls the result “not intimate as the title would lead one to believe.” Structure compounds the problem: a critic notes plainly that “you have to wait until you’re about three-quarters of the way through” before the actual Pains of Opium material arrives, after long stretches of schoolboy memoir and Latin tags. A reviewer wraps up the narrator in four words: “This man was very impressed with himself.” The prose habit that grates most is a single word repeated past reason; one reviewer counts that “he uses a word ‘viz.’ about 10,000 times.” Companion pieces bundled into fuller editions fare worse still, with The English Mail-Coach dismissed by more than one reader as barely readable.
The case for it and the rest of the canon open with Pro.





