
A Supposedly Fun Thing I'll Never Do Again
Contains the title essay (a cruise ship piece as cultural criticism), the Kafka essay, the tennis piece, and the TV essay "E Unibus Pluram," arguably the most important essay about American culture and irony written in the 1990s.
Every essay here runs on past its material, readers say, and the read turns exhausting rather than just demanding by the end. One reviewer calls him a “long-winded pretentious sack” outright, and Wallace's tone toward state-fair attendees and cruise passengers strikes a chunk of reviewers as condescending, an educated writer eyeing 'lesser' Midwestern and working-class people from a distance. 'Greatly Exaggerated,' the literary-theory essay on authorship, gets named the weakest and most academic piece, the one readers say is safe to skip. The footnote habit that wins fans also loses readers, turning into a digression machine that swallows the point and forces constant page-flipping. Even sympathizers concede he over-explains, restating a landed point until, as one reviewer puts it, “he's determined to impart every last atom of it.”
The case for it and the rest of the canon open with Pro.





